Creative sculpture exhibition deconstructing wood, plaster form

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)

Photo taken on Aug. 10 shows an exhibition titled "Liang Hao: Pacing the Void" on show at UCCA in the 798 Art District, Beijing, China's capital city. The exhibition is divided into two sections based on the materials of wood and plaster. Returning to the most elemental sculpture material, the artist makes full use of the malleability of plaster by molding the material around wooden logs before cutting and sculpting the mold, further refining and deconstructing the original wood form. (Wang Xinyuan/Guangming Picture)